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Posts archive for: 4 May, 2008
  • Breasts

    Diary. Thursday 24th April 2008

    Our Lass has been considering getting some new breasts. Or, to speak the speak, augmenting. It's been under discussion for a while. Pictures thrust on me - what do you think of those...? I reluctantly force myself to examine a pair of confident 38DDs. Nipples like Tunnock's chocolate tea cakes sat proudly wobbling on orbs of coffee-flavoured blancmange. Well, they're all right, I murmur, squinting critically. So an appointment had been made. We drove out to the clinic at Methley this afternoon. Set in the countryside between Leeds and Wakefield, a tree-lined drive way with big German saloon cars parked up. It's a general purpose clinic where surgeons do outside consultancy work for other companies. In this instance the internet boob firm mybreast. Very plush, stylish and above all - clean. It obvious that the staff are working in the private sector. No wizened old troll pushing a dirty mop over some c.1930 linoleum here. No drunks fighting in A&E. In this clinic it's clear that they see people who walk through the doors not simply as patients but also customers. They're polite, they engage with you when you approach them. They're professionally nice.

    After a short wait with complimentary newspapers (today's!) we're shown in to the consultant. He has that familiar chiselled, public school look. His pink tie with the broad knot. The big shiny diver's watch. The Ian Ogilvy haircut. The grey suit with the wide lapels and the pin-stripe. He has the look at all consultants have. Hurried calm, as if he's just come hot foot from the rugby pitch, hair still wet, the sting of a damp towel lingering on his arse cheeks.

    We sit in the leather chairs across from the glass topped desk, the offer of a tea or coffee, as he ticks his way through the sixty minute consultation. Pros and cons. Measurements. Options. I fondled the silicone, kneading the doughy mass sensuously in my hand. It was quite calming. But listening to his professional spiel I wonder if when it comes to boobs he has become like the man who works at the Haribo factory. You know what I mean, day one on the production line and he's rubbing his hands, gobbling up fizzy Cola Bottles and multi-colour boot laces by the fistful, gorging on them, best job in the world... much, munch, munch... Then by the end of the first month the very sight of some novelty candy teeth turns his stomach. Knocked nauseous by the prospect of a Pontefract cake. To then ultimately reach the stage that at the close of the year he might as well be sifting through nuts and bolts. Sat there, looking at the consultant, listening to the steady voice and the objective patter, I'm thinking that maybe it's like that for this bloke with tits. That breasts have lost all eroticism as intrinsic objects. That they've become dull. Common place. And, in all probability, some other area of the female body now stands substitute for the erotic importance that boobs used to occupy. Oh, love, you've got a right pair of elbows on you... Can I suck your knee caps...? Perhaps this man, with his hand-crafted accent and sterling silver cufflinks, trawls the internet searching for high definition images of veruccas. Downloading gonzo films of women washing their hands in dirty pot bowls. Because when it comes to boobs he seemed oblivious. Nipple sensation and cup feel... He could have been flicking through a Haynes manual, describing car parts.

    And what's more, looking at the titty slide show on his Dell Inspiron laptop I was getting slightly worried by the fact that the only pictures he seemed willing to show with me in the room were of fifty-odd year old women. I looked around nervously. Furtively, I glanced sideways at Our Lass. Had I been rumbled? My cover blown? Had he spotted me - a MILF lover? A penchant for the maturer lady. Because there they were. Front view, profile and some cheeky forty-five degree angle shots. Breasts of a nubile teenager, the stomach and arms of Geoff Capes. And the stretch marks! They looked like badly laid tarmac. I stared at him in disbelief. All that wank fodder packed onto his hard drive and he decides to focus on women with stomachs that look like a selection of driveways put down by a gang of gypsies. I felt like shouldering him to one side, getting my hands on the laptop... 'Come on, let's have a look at the good stuff...'

    And as we looked through the jpegs, the one thing I'd never realized is how many women have seriously odd shaped breasts. He opened the folder with 'Suzanne's' shots. Another one from the Saga set. I could feel my head angle back involuntarily, rocking away in the padded leather chair. A confused look on my face. I double check with the specialist. That can't be right, can it? I'd got my thumb out, creating a plumb line. The right one hung a good four inches lower than the left. If it was my car I'd be worried about tyre wear. Are the pressures right on that...?

    I can understand why a woman would want to have breast augmentation. We're living in a world that is becoming increasingly obsessed with image. Like it or not. Let's face it, would Margaret Thatcher have ever become conseravitve leader had it not been for her perky breasts and that cheeky smile bamboozling us all when she privatized British Gas? And breast augmentation's not something new. Over the years surgeons have used a bewildering array of materials to pack out female briskets. For instance, attempts were made in the naughty eighteen-nineties to inject paraffin directly into the breast. It worked a treat. Which meant that late-Victorian lovelies could not only have their beloved broad backsides but also a pair of breasts you could eat a three course kedgeree smothered breakfast from. Until the flesh started dying and ruptured in appalling cysts. Since then there's been the use of ivory, glass balls, springs from a Shackleton high seat chair and now the plumped-up wonder of silicone. And as we speak there are laboratory animals in America trialling the use of hair. No sacrifice in vain, I think you'll agree.

    ianogilvy

  • Email. 01/05/2008

    The following was issued by Barnsley Council press office on 21/04/2008:

    Barnsley residents invited to experience Cultures of the World

    TRADITIONAL Kurdish and Polish dancing, an East African drumming workshop and the San Pedro Salsa Band will be among the attractions at a Cultures of the World event on Saturday, 3 May (12 noon to 5pm) on the Central Area Amphitheatre site in Kendray, Barnsley.

    Open to all, the fun-filled occasion has been organised by Kendray Neighbourhood Management, with sponsorship from Haslam Homes, to highlight the many different cultures we live alongside.

    There will be Arabic, Caribbean and Japanese-style food, a barbecue, children’s entertainer Barney Baloney, henna painting and hair braiding.

    The day will begin with a parade of children from four schools, plus a holiday activity group of children wearing tee-shirts and masks made in workshops during the school holidays.

    Sports coaches will run sessions between 11am and 1pm, live performances will take place at the Burngreave information Vehicle. Adding to the diverse entertainment will be a DJ, the Montuno Band and Zakala African Arts.

    There will also be an opportunity to meet Safer Neighbourhood Team members and Berneslai Homes Impact Team.

    Anyone who would like to take part in the event, or hold an information stand, should contact Tina Smith of Kendray Neighbourhood Management on (01226) 732869, email: tina at Barnsley Council

    Subject: Cultures of the World - 03/05/2008
    From: guinnessorig
    To: tina
    Date: Thu, 1 May 2008 15:49

    Dear Tina,

    It was with absolute delight that I saw your Cultures of the World spectacular announced on the Barnsley Council web site. This is just the type of fun event that our small educational performance art group - 'By 'Eck!' - thrives on. There are six core members of the team and we perform at village fetes, schools, night clubs and car boot sales both here and abroad (Sweden mostly) promoting the cultural richness of the great county of Yorkshire.

    ‘By ‘Eck!’ was born in the summer of 1999 when champion clog dancer Pete Gilbert and wizard Holmfirth folk fiddler Terry Longbones got together in an impromptu jam at a car boot sale in Normanton after Pete found a pair of old clogs for sale in the back of a Vauxhall Chevette. You can’t begin to imagine the reaction of the bargain rooters in the mixed crowd that gloriously sunny day. They went bloody wild! It was then that we realized that there’s a thirst out there from every day people to preserve, promote and learn more about the cultural heritage of England’s biggest and best
    county.

    We offer the following performance art extravaganzas:

    Yorkshire Black pudding studio. We let people get hands on and elbow deep in offal with some traditional Black pudding making. Imagine the fun and the rich smells as people get the chance to stretch out the pig intestines to prepare the skins before stuffing and tamping down the putrefied pig’s blood and bread crumbs in some traditional and delicious Yorkshire Black Pud. The puds are then griddled on a barbecue and served up to the very people who made them. Believe me, this one’s a big family favourite.

    Nipsy workshop. Celebrating and promoting a game sometimes called Nor and Spell – a sport not dissimilar to golf, but without the Pringle jumpers and huge wads of money. Contestants flick a wooden ball in the air and then spank it as hard as possible. Furthest distance whacked is winner. We need to get the kids involved at grass roots level on what is set to be the Premier League football of the 21st Century. Jud Branner – from Goldthorpe – present Yorkshire and Northern Counties Nipsy champion will be on hand to crack a few off for a crowd of gob-smacked onlookers before letting the revellers get their hands on his wood and have a go for themselves.

    We finish off the day with some West Yorkshire clog dancing backed by the ‘Batley Fiddlers’ – Yorkshire’s only fiddle orchestra. Imagine the combined northern harmonies of fifteen folk fiddlers scratching their way furiously through ‘Ilkley Moor bah’tat’ and ‘The Richmond Whore’ (augmented with the rich, vernacular voice of Yorkshire folk-singer Ryan Greatorex). This is a proper crowd pleaser.

    Could you let us know in advance if you're wanting the black pudding studio because we'll need to slaughter one of the pigs a couple of days before for the blood to congeal suitably. We don't want to let the kids down.

    In addition to some open grass for the Nipsy (100 yards should do it), we’d need a performance/display area approximately 20 yards square, with at least half of that flat and level so that we can lay the Yorkshire stones necessary to get the right sound on the clog dancing. Phil will be bringing these in the back of his transit if you can secure us the necessary appropriate space. We had a bad experience on wonky ground at a horse fair in Yeovil and we don’t want to repeat that. Bill’s ankle still needs rubbing down on cold days. But if you can’t provide enough flat ground can you make sure we have some concrete. It’s just not the same on tarmac. No spark, no fireworks. I will never forget the looks of disappointment on the faces of the crowd in Milton Keynes when the muffled sound of our clogs thrumbed out on the spongy surface of a child’s playground. I’ll not put my lads through that again.

    We have some disclaimer forms in relation to the Nipsy. These have been a work in progress but now cover broken bones (including skull fractures), smashed windows and damage to motor vehicles. If you give us a rough idea of numbers expected at the event I can set my wife Margaret on with the photocopying in advance.

    And, by ‘eck, here’s looking forward to a great day!

    Yours,

    guinnessorig

    PS

    Could you tell us what time Barney Baloney is to appear because we've had trouble with him before.

    NO REPLY RECEIVED

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